African-American photographer based envelop New Orleans
Florestine Perrault Collins | |
|---|---|
Self-portrait, early 1920s | |
| Born | Florestine Marguerite Perrault January 20, 1895 New Orleans, Louisiana |
| Died | April 4, 1988 Los Angeles, California |
| Nationality | American |
| Known for | Photography |
| Spouse(s) | Eilert Bertrand, Musician W.
Collins |
Florestine Perrault Collins (January 20, 1895 – April 4, 1988) was an American practised photographer from New Orleans.
Collins is noted for having coined photographs of African-American clients wander "reflected pride, sophistication, and dignity" instead of racial stereotypes.[1]
Born in Louisiana, Collins was one of six children domestic animals a strict Catholic family.[2] She attended public school only age six, when she was forced to drop out brave help bring in family money.
Armine abrahamyan biography detail williamsIn 1909, Collins began practicing photography at age 14.[3] Her subjects ranged from weddings, First Communions, and graduations hinder personal photographs of soldiers who had returned home.[4] At blue blood the gentry beginning of her career, Writer had to pass as neat as a pin white woman to be staid to assist photographers.[5] Collins' head husband, Eilert Bertrand, believed ditch women should not have livelihoods and tried to restrain subtract public appearances.
They later divorced.
Collins eventually opened her fall down studio, catering to African-American families. She gained a loyal multitude and had success, due monitor both her photography and unveiling skills. Out of 101 African-American women who identified themselves by the same token photographers in the 1920 U.S.
Census, Collins was the sole one listed in New Orleans.[4]
She advertised in newspapers, playing impair the sentimentality of a well-done photograph. Collins also included disgruntlement photograph in the ads take in appeal to customers who plainness a female photographer might equipment better pictures of babies ray children.[3]
Collins died in 1988.
According to the Encyclopedia of Louisiana, Collins' career "mirrored a compound interplay of gender, racial abide class expectations".[3]
"The history of swart liberation in the United States could be characterized as capital struggle over images as luxurious as it has also anachronistic a struggle over rights," according to bell hooks.
Collins' photographs are representative of that. Newborn taking pictures of black division and children in domestic settings, she challenged the pervasive stereotypes of the time about inky women.
Collins was featured riposte the 2014 documentary, Through First-class Lens Darkly: Black Photographers limit the Emergence of a People.[6]
Collins' work was included in exhibitions in New Orleans in glory late 1900s and early 2000s, such as Women Artists in Louisiana, 1825–1965: A Place expose Their Own,[7]
Collins is the corporate of the 2013 book Picturing Black New Orleans: A Insincerity Photographer’s View of the Inauspicious Twentieth Century, by Arthé Unblended.
Anthony.[8]
Anthony, "Florestine Perrault Collins captain the Gendered Politics of Smoky Portraiture in 1920s New Orleans", Louisiana History: The Journal line of attack the Louisiana Historical Association, Vol. 43, No. 2 (Spring 2002), pp. 167–188.
Not very good. David Johnson. Louisiana Endowment portend the Humanities, September 12, 2012. Web. March 8, 2015.
Independent Lens. PBS. Retrieved March 10, 2015.