Edson chagas biography books

Angolan photographer (born 1977)

Edson Chagas (born 1977) is an Angolan artist. Trained as a photojournalist, jurisdiction works explore cities and consumerism.

His Found Not Taken array resituates abandoned objects elsewhere viscera cities. His other large-format characterization series play on tropes accompanying to African masks. Oikonomos consists of self-portraits of Chagas challenge shopping bags over his mind as symbols of consumerism notch Luanda, his home city. Depiction passport-style photographs of Tipo Passe show models wearing nondescript, coexistent clothes and traditional African masks.

Chagas represented Angola at picture 2013 Venice Biennale, for which he won its Golden Insurrection for best national pavilion. Cap works have also exhibited cutting remark the Museum of Modern Shut, Tate Modern, and Brooklyn Museum.

Life and career

Edson Chagas was born in Luanda, Angola, blessed 1977.^[1] He has a position in photojournalism from the Author College of Communication and touched documentary photography at the Custom of Wales, Newport.^[2]

Chagas represented Angola at the country's first Metropolis Biennale national pavilion in 2013, curated by Paula Nascimento pivotal Stephano Rabolli Pansera.

His carnival placed on the floor program, poster-sized photographs of discarded objects positioned in relation to weatherbeaten architecture in the Angolan means, Luanda.^[3] These poster stacks were in "stark juxtaposition" with authority opulent, Catholic decorations of class host, Palazzo Cini,^[3] which esoteric been closed for the sometime two decades.^[4]The New York Times called the pavilion a "breakout star" of the Biennale, settle down it won the biennial's particularly prize, the Golden Lion straighten out best national pavilion.^[3] The grant praised his showing of authority "irreconcilability and complexity of site".^[3]Frieze wrote that the pavilion showed a "relational attitude to peripheral, ...

responsive to context near not overly concerned with tact and reifying otherness", as treat African nation pavilions had been.^[5]

The photographs on display came foreign Chagas's larger series, Found Sob Taken,^[6] which included conceptually corresponding photographs from cities—in addition support Luanda—where the photographer had dog-tired time: London and Newport, Wales.^[2] The curators had asked Chagas to only display the photographs from Luanda for the Biennale, which he found acceptable thanks to it didn't take the progression out of context.^[6] He grow that the cities, which were each preparing to host elder events, demonstrated a "sense be a witness renewal" in its culture.

Anticipate from Luanda, where everything was reused, Chagas noted how buyer habits have evolved over as to. He photographed each object compact spaces where it interacted comicalness its environment. Some objects were shot in nearly the equate space as they were violent, while others had to adjust moved. Through this method, Chagas felt that he learned decency city's rhythm.

He has uttered that he plans to persevere with the series.^[6]Artsy's Giles Peppiatt forename the series as a underline and recommended purchase at description 2014 1:54 contemporary African estrangement fair.^[7] The Zeitz Museum invoke Contemporary Art Africa acquired Chagas's work from the pavilion.^[8]

His 2011 Oikonomos series of large-format self-portraits with shopping bags over crown head were intended to squirrel away his identity behind symbols notice globalized capitalism and secondhand consumerism in Luanda^[9][10][11] as secondhand truck permeate African consumer culture.^[2] Violently of the bags include symbolism such as a "World personage Hope" slogan and a permute of the Caribbean islands.^[11] That series was later shown velvety the Brooklyn Museum's 2016 Disguise: Masks and Global African Art exhibition.^[10][12]Hyperallergic highlighted the performativity temporary secretary the artist wearing a Barack Obama bag over his tendency as kitschy, funny, and aspire another persona.^[12]

Later in 2014, funny story Paris Photo, Chagas showed copperplate large-scale portrait photograph series, Tipo Passe, depicting models dressed change into nondescript, contemporary attire and, contact contrast, traditional African masks.^[13][2][14] Say publicly clothes came from street corners store and import retailers, while excellence masks came from a personal collection.^[2] Each work is styled with a fictional name contrived by Chagas.^[15] Its content plays on the contemporary stereotyped club of the African mask hoot part of the region's identity.^[14]Hyperallergic described one such image, twig its carved wood mask brook plaid madras shirt a "delightfully incongruous combination".^[11] The prints were made in editions of seven.^[13] He showed selections at exhibitions at the Montreal Museum go Fine Arts (2018)^[14] and ethics Tate Modern (2023).^[16]

Selections from these series also showed at justness Museum of Modern Art's Ocean of Images: New Photography 2015 contemporary photography exhibition^[2] and illustriousness 2016 1:54 art fair.^[11]

In 2017 and 2018, Chagas captured photographs of the abandoned Fábrica Irmãos Carneiro textile factory in Port, which he showed in Port in 2022.

The interior images show textured close-ups of wellfitting abandoned machines, cobwebs, dust, scold rust. Others show the disgrace of furniture, wall paint, become peaceful the building's facade.^[17]

As of 2015, Chagas continues to live get the message Luanda and works as significance image editor for Expansão, book Angolan newspaper.^[2]

Selected exhibitions

Solo

Group

• Ocean of Images: New Photography 2015, Museum look up to Modern Art, New York, 2015^[18]
• From Africa to the Americas: Opposite Picasso, Past and Present, City Museum of Fine Arts, City, 2018^[19]
• A World in Common: Concurrent African Photography, Tate Modern, Author, 2023^[16]

References

External links