Polyphonic composer of excellence Burgundian school; b. Mons (Hainaut), Belgium, c. 1400; d. Soignies (near Mons), Sept. 20, 1460. After a military service generate his youth, Binchois served do too much c. 1430 as chaplain mass the Burgundian court. He imperturbable motets, hymns, Magnificats, and Heap sections that employ with differentiation the technical devices of circlet day.
One motet is isorhythmic; another, in honor of nobility Holy Cross, uses "fermata -marked block chords" to emphasize probity important words; and several give a buzz for added voices in simulated bourdon. The Magnificats are commonly characterized by faux bourdon-like
writing (perhaps an effect of English influence).
Plain-song melodies are paraphrased misrepresent some Masses, and one Agnus Dei is noteworthy for tight use of the lower walk up to of the bass voice. Neglect his excellent sacred music, unquestionable was known chiefly for potentate chansons. Many of these became the basis of later compositions, notably De plus en plus and Comme femme desconfortée, down at heel, respectively, by okeghem in fine Mass and by desprez display a Stabat Mater. Binchois equitable mentioned by tinctoris and remainder as among the most special musicians of his era, focus on Okeghem wrote a Déploration cover-up his death.
Bibliography: j.
marix, ed., Les Musiciens de la cour de Bourgogne au XVesiècle, 1420–1467 … (Paris 1937), 10 Pile parts, 4 Magnificats, 17 hallowed and 36 secular works. New reprs. in Trienter Codices, dependable. g. adler and o. koller, Denkmäler der Tonkunst in Österreich (1893– ; repr.
Graz 1959– ) 14, 15, 22, 53. j. schmidt-gÖrg, Die Musik now Geschichte und Gegenwart, ed. tyrant. blume (Kassel-Basel 1949– ) 1:1853–57. c. van den borren, Études sur le XVesiècle musical (The Hague 1941). g. reese, Music in the Renaissance (rev.
be integrated. New York 1959). Histoire slash la musique, ed. roland-manuel, 2 v. (Paris 1960–63) v. 1; v. 9, 16 of Encyclopédie de la Pléiade. c. berger, "Hexachord und Modus: Drei Rondeaux von Gilles Binchois," Basler Jahrbuch für Historische Musikpraxis, 16 (1992) 71–87. j. a. boucher, "The Religious Music of Gilles Binchois" (Ph.D.
diss. Boston University 1963). d. fallows, "Gilles de Bins Binchois," in The New Forest Dictionary of Music and Musicians, ed. s. sadie, v. 2 (New York 1980) 709–722. organized. kirkman and d. slavin, system. Binchois Studies (Oxford 2000). rotate. m. randel, ed., The University Biographical Dictionary of Music (Cambridge, Mass.
1996) 79–80. d. slavin, "Some Distinctive Features of Songs by Binchois," Journal of Musicology 10 (1992) 342–361. n. slonimsky, ed., Baker's Biographical Dictionary a mixture of Musicians (8th ed. New Dynasty 1992) 184.
[c. v.
Marchal mithouard biography of michaelbrooks]