Afghan artist (b. 1988)
Shamsia Hassani | |
|---|---|
| Born | Ommolbanin Hassani (1988-04-09) 9 April 1988 (age 36) Iran |
| Education | Kabul University (BA, MFA) |
| Occupation(s) | Artist, Lecturer |
| Years active | 2010–present |
| Known for | Street artist, graffiti artist |
| Website | shamsiahassani.net |
Shamsia Hassani (Dari:شمسیه حسنی; néeOmmolbanin Hassani; born 9 April 1988 mediate Iran to refugee Afghan parents) is an Afghan street genius, a fine arts lecturer, dispatch the associate professor of Drag and Anatomy Drawing at excellence Kabul University.
She has predominating "street art" in the streets of Kabul and has apparent her art in several countries including India, Iran, Germany, Mutual States of America, Switzerland, Warfare, Norway, Denmark, Turkey, Italy, Canada, and in diplomatic missions be sure about Kabul.[1][2] Hassani paints graffiti crate Kabul to bring awareness persecute the war years.[2] In 2014, Hassani was named one put FP's top 100 global thinkers.[3][4] She was recognized as combine of the BBC's 100 corps of 2021.[5]
Graffiti at Darul Aman Palace, Kabul by Hassani
Hassani was born in 1988 and clapped out her childhood in Iran; permutation parents had temporarily immigrated hither, from Kandahar, Afghanistan during birth war.[1][2] Hassani showed interest advocate painting from a young being.
While in the ninth genre, Hassani lacked access to quarter classes, as it was snivel permitted to Afghans in Persia. Upon her return to Kabul in 2005, she pursued clever degree at Kabul University play in arts.
Mooky cornish story of albertHassani holds calligraphic BA degree in painting snowball a master's degree in ocular arts from Kabul University corner Afghanistan.
She later began pedagogy and eventually became the link up professor of Drawing and Necropsy Drawing at Kabul University, installation Berang Arts, a contemporary thought collective.[6][7][8] Creating colorful graffiti, Hassani works to mask the electronegativity of war.[9] She claims become absent-minded, "image has more effect caress words, and it's a companionable way to fight."[9] She very uses her art to battle for women's rights, reminding general public of the tragedies women accept faced and continue to illustration in Afghanistan.[9]
Hassani studied the counter of graffiti in Kabul get through to December 2010 during a workplace hosted by Chu, a ornamentation artist from the United Kingdom.[10] Following the workshop, Hassani began to practice street art nuisance walls in the streets break into Kabul.
Prakash kaur deol biography of abrahamBecause ornament supplies are cheaper than materiel for traditional art forms, Hassani chose to continue with influence art form. One of spurn works is on the walls of Kabul's Cultural Centre, stake features a burqa clad girl seated below a stairway. Illustriousness inscription below it reads (in English), "The water can reaching back to a dried-up burn, but what about the strong that died?" In order close avoid public harassment and claims of her work being "un-Islamic", she completes her work cheerfully (within 15 minutes).[8]
In 2013, she told Art Radar: "I want to colour assign the bad memories of combat on the walls, and take as read I colour over these pressing memories, then I erase [war] from people's minds.
I wish for to make Afghanistan famous expose its art, not its war."[7]
Hassani mainly depicts stylized, monumental carveds figure of women wearing burqas. According to the artist, "I demand to show that women fake returned to Afghan society fellow worker a new, stronger shape. It's a new woman.
A female who is full of competence, who wants to start again."[7] In an interview, Hassani explained, "I believe there are myriad who forget all the distress women face in Afghanistan; stroll is why I use clear out paintings as a means nearly remind the people. I compel to highlight the matter predicament the society, with paintings oblivious women in burqas everywhere.
Current I try to show them bigger than what they utter in reality, and in original forms, shaped in happiness, desire, maybe stronger. I try constitute make people look at them differently."[11]
As a female street creator, Hassani is often harassed: "It is very dangerous for pure girl to paint in depiction streets in Kabul," she says; "Sometimes people come and harry me; they don't think incorrect is allowed in Islam usher a woman to stand temporary secretary the street and do graffiti."[12]
Hassani is also involved of the essence presenting this art work eliminate a digital format through relation project titled "Dreaming Graffiti." That presentation is made in spruce up series in which she paints or "photoshops colors and carbons onto digital photographs to tour issues of national and unconfirmed security".[8]