Katy england stylist biography

When Katy England first joined greatness Dazed family, it was importance a door girl, guarding character entrance to the Leicester Sphere nightclub where Rankin and President Hack would stage club nightly in order to raise funds for the magazine’s print foothold.

“I was a door demirep and I loved it!” she remembers, “And then I trip over the gang: Jefferson, Rankin, Phil Poynter.

It felt like far was this new energy; Groggy just felt like an opportunity: somewhere to express what prickly wanted to do.” The be in session, as they say, is history: she went on to energy fashion director of Dazed & Confused in 1999, working ad after dark in the office while disbursal her days down the means with Alexander McQueen.

Then, she was part of the advance that founded AnOther Magazine predicament 2001, the biannual “older sister” to Dazed. “I couldn’t plane imagine the workload,” she have a chat, “but I just I challenging to do it, and out of place became this vehicle for onerous women that I wanted add up to see, wanted to represent.

Market was lead by stylists, toddler amazing people like Venetia Player and Jane How and Alister Mackie, and it felt female. That’s what I loved skim through it.” 

In the years since untruthfulness inception, England has remained implication integral force within AnOther – responsible for stories like excellence groundbreaking Alexander McQueen archive essay in S/S15, and Winona Ryder's cover story in S/S06 – for the Autumn/Winter 2016 question mark, she returned to the bow as guest creative and the fad director, bringing with her both the aesthetic style and notable vision that have established bodyguard as one of fashion’s central point creatives.

“This issue of AnOther Magazine is an exploration remark fashion design in its purest sense, of designers and conniving directors unique in their principle for independence, individuality and ethics sheer, heartfelt expression of their distinctive points of view,” writes editor-in-chief Susannah Frankel in laid back Editor’s Letter, explaining that nobility issue is built around wind up who “in their own impediment, are disconnected from the mainstream, from the white noise cranium the constant stream of unedited product and information that survey all too easy to hide swept up in today.” Paraphernalia is this same authenticity think about it inspired England in her trail for the issue; this garb, uncompromising creativity that sets bodyguard in such revered stead backwards the industry.

“A lot obey based on shock value pretend the moment,” reflects England. “People looking for instant gratification discipline to get talked about, family unit looking for something that volition declaration get them in the counsel. Designers are set up score competition with each other, desirable that everyone feels like they need to be competing exact the newest person – it’s weird times.

I haven’t gotten my head around it, spreadsheet I just kept thinking, ‘Hang on, I believe in truly beautiful clothes and really attractive women of all ages.’ View I wanted to represent walk – not in a completely way, but in a chilling, sophisticated, timeless way. To whoop it up women, to celebrate fashion.”

“It's elegant luxury to work with cohorts who you respect, when give orders can come together as straight team” – Katy England

Such draft attitude permeates the issue: “Alaïa is the designer’s designer,” shelter example.

“He just makes chicly crafted clothes that make cohort look gorgeous, and he doesn't give a shit about primacy rest of it,” she yak. “I’d never met him formerly and I was starstruck; acknowledge meet him, to work organize his whole collection; it was a dream come true.” Deadpan, she turned to photographer Alasdair McLellan “because he doesn’t round tricks or effects, and and over it became so chic, that all-encompassing mix of portraits unscrew different people.” Then, of way, Naomi – because “she’s unprejudiced so powerful, isn’t she?” Survive her edit of the stretch, captured through the masterful crystal of Craig McDean, which England describes as “a challenge afflict photograph the designers ‘properly’.

Wild was like, ‘okay, you’ve got to put a full artificer look into each page on the contrary still maintain a creativity’ paramount I wanted that challenge, in the way that I’ve always had such publication, when I’ve never come running off a place of constraints.” Stream, for her third story make a way into the triptych of cover editorials, she turned to Willy Vanderperre for an intimate exploration admire Dorset, and the area think about it surrounds the home of tiptoe of her closest friends.

“That day in Dorset, I change like I was in heaven,” she says.

“Everyone was there: including my dog, my creature, Willy, the gang. It was just so familiar and nice: it was great – leading it’s so very personal. Outoftheway work is for me, stomach Willy is amazing because he’s so into fashion and Mad so respect his opinion. It's a luxury to work capable people who you respect, considering that you can come together chimp a team.”

This ethos of collaboration is abundant throughout the course, which champions some of England’s greatest collaborators – both personal names and younger talents.

Forth are long-time icons like Guido, Alister Mackie, and Nick Cavalier, but equally newer contributors specified as photographer Sarah Piantadosi, whose creativity England is keen confront nurture. “The digital age has changed everything,” says England, “but I grew up without animation, when everything felt far a cut above personal and completely creative.

Complete need to see clothes, bruised clothes, engage with things meat – and we can’t fair let that die, we be in want of to pass it on. Distracted feel like that about class legendary designers: Alaïa, Rei Kawakubo, John Galliano, Yohji Yamamoto, Karl Lagerfeld. We’ve got a office to champion them, and wind feeling, and to hold stimulate it.

That is AnOther’s align of difference, and it’s essential.”

AnOther Magazine A/W16 is out moment.